Dustin

Dec 092015
 

Although presidential candidate Donald Trump has recently shifted his focus of hate from Mexican immigrants to Muslim immigrants, the sentiment of his rhetoric remains the same: stay the fuck out of America. If Trump was just one batshit reality TV star with the white house in his sights as some sort of sick publicity stunt (which many were hopeful of in his campaign’s infancy), his words could be easily dismissed with eye rolls and head shakes. The grim reality is, of course, that he is currently leading in many polls over both democrat and republican hopefuls. What’s more, his words have broken the barrier of merely disconcerting political rhetoric and entered the realm of inciting violent action–proving that rhetoric matters and should be given much more gravity in academia than it currently receives.

According to an article written by Russell Berman which appeared in The Atlantic on August 20th, 2015, “Police in Boston say that one of two brothers who allegedly beat a homeless Hispanic man cited Trump’s message on immigration as a motivation for their attack. “Donald Trump was right, all these illegals need to be deported,” Scott Leader, 38, told officers, according to a police report.” Trump, in response to this news, had only this to say: “…the people that are following me are very passionate. They love this country. They want this country to be great again.” He takes zero responsibility and expresses no remorse for the innocent 58-year-old man who was “urinated on…and then assaulted…with a metal pole.”

Clearly, there is a point at which words are no longer just words. I think we can all agree that a good place to draw the line is when hate-speech influences violent action by others.

This is why the study of rhetoric, English, and/or composition is crucial for all students and should be taken just as seriously as any/all of the sciences. All students should know how to proficiently navigate the rocky terrains of rhetoric as they exit the university, lest the academy wishes to produce citizens who are susceptible to being easily swayed by such hateful ignorance; lest the goal of a college education is to leave students unequipped with the tools necessary to discern sound from poor logical constructions and argumentation; lest violence is an appropriate response to rhetorical interpretation.

If that is the case, continue to defund our programs, call our studies pointless, and laugh at our earnest pursuits from behind your Ivory doors while, outside, hatred flourishes and innocent people are beaten half to hell with metal pipes and pissed on. Cut our budgets. Piss on us while you’re at it. Our study doesn’t matter.

 Posted by at 4:35 pm
Dec 092015
 

As a liberal first year composition teacher who, on better days, believes in the decency of mankind, I was terrified by an 18 year old girl on the first day of my first class. I don’t remember how we arrived at the conversation, but at some point after we tediously outlined the syllabus, she said it and I knew immediately that we were all doomed.

“Oh, I’m definitely voting for Donald Trump,” she offered. The rest of the class fell silent, all of their eyes darting toward me, somehow already knowing that I would be deeply troubled by this statement. Maybe my septum ring gave it away. Maybe they were filled with the same blend of terror and bewilderment at hearing such a sentiment from one of their own–our generation, after all, is known for being characteristically filled with glossy-eyed democrats. I traced her face for any cues of irony. I found none.

I don’t recall exactly how I reacted. I like to think that I played it cool, though, that I somehow assuaged the tension with a bipartisan-friendly joke that would have made Marco Rubio and Hilary Clinton both buckle with laughter; Rubio reaching across the aisle to pat Clinton on the back.

Chances are I wasn’t that suave. I wanted to scream, cry, and jump on the first flight to Switzerland all in the same instant.

I didn’t want to expose my bias to the class. Especially not that early on in the game. But I fear, knowing myself as well as I do, that whatever my response was, did not do much in the way of veiling. I wondered, though, later on: what is the real benefit in playing this hiding game with my students? Why should they not know where I fall on certain topics? The professional zeitgeist certainly seems to discourage such actions. From what I can gather, it is frowned upon for a teacher to let his or her bias show in topics like these. I can see why this is the case in theory (you don’t want to make any students feel shunned or like they can’t or shouldn’t vocalize their beliefs in class and on papers, of course), but is there not a way for a teacher to express his or her opinions in an inclusive way? With care and sensitivity, I think there is. And, what’s more, there is a way in which doing so can inspire better in-class discussions. None of my own teachers, regardless of how successful they believe they may have been in achieving this, have ever been able to truly mask their own biases.

Students are likely to feel less self-conscious in verbalizing their own beliefs if we, the teachers, also do not flinch in doing so. There are ways in which we can influence the culture of a given classroom and I think this is one of them. I am in no way, however, claiming that teachers should run rampant with their opinions, dashing down students left and right. Like I said before, it has to be done carefully. Perhaps simply addressing how your own opinions are bound to creep their way into your rhetoric on the first day of class could work–telling them that it in no way will affect your students’ grades nor your views of them as people. Remind them that we all arrive at the classroom from disparate backgrounds and constitutions and that this is not only the cornerstone of argument, democracy, and good discussion, but it is also (when the mind is open) the way that some of the best learning is achieved.

 Posted by at 3:37 pm
Dec 092015
 

Apathy abounds in our students. I am not qualified nor do I possess the intellectual patience it would require to explore the question of why this is. I could probably rattle off a few lightly informed reasons for this, but they would do nothing more than exhaust you and have little to no solid theory to back them up. Fear not, dear reader, I will spare you my pseudo-academic social critique of the larger cultural forces at play here. If hearing a rant of this sort is something that, against all odds, does intrigue you, have a few drinks with me some night and they will most likely stumble their way out of my mouth around midnight.

However, here I am, in the sober light of day, and the question I wish to explore is “how?” More specifically, how can we create care in our students? As my last post posits, care is the prerequisite to good writing. I do not think that The Sequence is the answer (which is why I urge all of my colleagues to deviate from it wherever possible). I, of course, would never do such a thing…but, in theory, there are better ways to foster inspired writing in our freshmen.

One way that I think could work (and would still satisfy the text requirement of The Sequence), would be to let each student pick an essay from Emerging to write about. Encourage them to choose a piece that somehow speaks to them. Did it give them chills? Good. Did it blow their freakin’ minds? Sweet, dude. Did it piss them off? Even better. This is the Affect Effect. After about the third class of Restak talk, my classes had little to offer other than groans and boos every time I brought him up. Their brains shut off in unison at any mention of the R-word. The didn’t care. Not even a little bit. And, what’s worse, the content made them feel condescended to–like they were the problem and this doctor guy was preaching to them about the evils of their ways and how they were the ones destroying the sanctity of Human Interaction every time they glanced at their phones.

This is not how writing should be taught. A good essay can’t be produced on a text the essayist couldn’t give a damn about with a gun to his head. Call me soft, a hippie-dippie expressivist in a sweater vest, but I believe in the Affect Effect and I look forward to giving it a shot in ENC 1102.

 Posted by at 2:33 pm
Dec 092015
 

I’ve survived my first semester teaching freshman composition and I can’t help but think back to a question we explored early on in this class: can writing be taught? I’m recalling the New York Times article—the title of which is the aforementioned question, verbatim—written by Rivka Galchen and Zoe Heller. In this article, the writers ponder this question by comparing writing to the sciences and, ultimately, the biblical Word, implying that we hold writing to an impossible standard and that (the bible) is why we would even entertain such a question. “Is it somehow flattering to feel one’s endeavor is more gift than labor, and are writers more in need of such flattery than others” They wonder.

 

But I’ve seen the writing of many of my students improve dramatically over the course of but a few months. I’ve witnessed the answer to the central question materialize itself, firsthand. Yes, writing can be taught, but it requires a few crucial prerequisites in order for this to be accomplished: 1.) the student must care, must actually desire to improve; 2.) consistent practice; and 3.) the teacher must provide an environment in which the former 2 requirements can be fostered.

 

This leaves us with a new, more pertinent question as teachers of composition: how can we inspire our students to care about learning how to write and, furthermore, to do so with proficiency?

 Posted by at 2:07 pm
Oct 302015
 

I’m not sold on the idea that there needs to be a distinction between viewing thought/communication as either natural or artificial—at least not if the central concern at play is whether or not writing is an effective route toward learning. Honestly, what practical takeaway does such a juxtaposition offer when it comes to the process of learning? Learning, regardless of its origins, will either take place or not. The methods by which teaching is implemented is what should be of concern. The problem is not rooted in how “to ask students to see the natural as artificial,” (Bartholomae) but how, as teachers, we might best exploit all of the tools we have at our disposal—writing, reading, talking, and listening—in concert. Rather than wondering whether or not “Writing is a learned behavior” or “talking is [a] natural, even irrepressible, behavior,” (Emig) we should engage in conversations regarding how to best employ every possible language process in order to yield the most learning.

That being said, it is important to note: I had no prior idea of where I stood on this question before I sat down and wrote it all out. I have actively learned here—at my own rhythm and before my own eyes. Furthermore, when I get to class in about 45 minutes, someone else might offer up a highly persuasive thought counter to my argument, using (my god!) his or her voice; this could alter (enrich?) my stance. After class, maybe I’ll read some other blog posts and fall in line with another way to view the question. Reading, writing, talking, listening. Learning, at this point in human history, is a byproduct of thinking; and it is impossible to imagine life without thought. Is that natural or artificial? You tell me.

 Posted by at 3:28 pm
Aug 282015
 

I guess the best place to begin introducing oneself is with a greeting, right?

Sooo, hello!

My name, for those of you whom I haven’t had the pleasure of meeting yet, is Dustin DiPaulo. Born and raised in Rochester, NY, I can probably be found drenched in sweat and a little out of place in Boca Raton. I’m an MFA person focused on creative nonfiction (although I enjoy writing fiction, poetry, and music as well). Musically speaking, I play the piano and guitar. I also find pleasure in singing–though I’m not so sure the same level of pleasure is derived by those who are subjected to hearing my voice. Therefore, I tend to keep it limited to pretty much the car and shower. (However: frequency of singing subject to change depending on level of BAC at a given time). That being said, care to grab a drink? Inquire within.

At the risk of redundancy, I love reading and writing. I’m currently trying to trudge, when I have time, through Thomas Pynchon’s Gravity’s Rainbow and my favorite living author is probably Steve Almond. Other hobbies include swimming, sleeping, and attending concerts (does that even count as a “Hobby”?). I also sincerely enjoy long walks on the beach. It’s a shame something so sublime should have become so cliche.

Well, that wasn’t quite as hard as I thought it would be. I look forward to getting into the groove of this class and coming to know you all beyond a few introductory paragraphs!

 

 

 

 Posted by at 3:47 pm
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