Dec 082015
 

I think my students have collectively decided not to learn or adhere to MLA formatting. No matter how many times I mark their citations as incorrect, doc them points, and exhaustively discuss it in class, they remain careless.

I came into class one day with a set of my own various books, anthologies, magazines, and printed electronic articles, along with several copies of the MLA handbook. I divided my students into groups, handed out the supplies, and told them to give me the Works Cited entry for each source they were given. It was a miserable failure at first, then it became a contest, and by the end of the class my students were engaged, having fun, and to my bewilderment, coming up with the correct citations.

Before I dismissed the class, feeling triumphant in my success, one student asked why they had to learn this when they just use Easy Bib. I had to then explain to the class that their Easy Bib citations were consistently incorrect, and I had been taking points off on their papers because f this. Needless to say, she was not pleased with my response and proceeded to roll her eyes at me.

Now at the close of the semester, I sit with her final essay in front of me, and I am taking points off from her paper because she is still insisting on using Easy Bib for her citations. Stubbornness, or stupidity? Perhaps both?

This is not to say that many students did not benefit from this activity. However, it still astounds me that the negativity from one students has the ability to outweigh the positivity from several.

Dec 082015
 

When researching Indiana University’s FYC program, I found it interesting that students have four different class options: Elementary Composition, Elementary Composition – Basic Writing (for those who need more help), Elementary Composition- Multilingual (for ESOL students), and Projects in Reading and Writing ( more intensive and geared for those pursuing a major in the writing field). While FAU only offers ENC 1102 AND 1102, I found that through group work and peer review sessions, I was attempting to fulfill these categories in my own classroom setting.

I began the semester by getting to know what majors my students were pursuing, and after the second essay I had a pretty good understanding of their individual writing abilities. For group work activities, I would put my ESOL students together, and put the students with similar majors together, or I would put my students that needed extra help together. For peer review I would do the opposite and mix everyone up in order to give my students perspectives outside of their own bubbles.

This strategy seemed to be really effective as the humanities majors forced my engineering students to think of things not discussed in their groups and vice versa. My ESOL students could come up with ideas as a group and have native English speakers help them to articulate their thoughts, and my weak writers had more guidance in their essays when the stronger writers in the class edited their papers.

All in all, I think taking the extra time to create specific groups and pairs for students during these activities is very beneficial.

Dec 082015
 

While doing research for Writing Program CSI, I noticed that my chosen program (Stanford’s) relied on a different model of class design. Namely, in how FYC classes are selected. Rather than having a single, uniform sequence, each class openly advertises its chosen sequence to incoming students. Classes cover topics like “Rhetoric of the Supreme Court” and “Rhetoric of Death”. The intended goal is for students to select what sort of topic they want to focus on.

A part of me feels like this would be an interesting approach, though not one that we can currently adhere to in the classroom. Many of my students are forced to go in blind; unsure of what the class is actually going to be about. The result , as I ‘ve noticed with Richard Restak, is that students end up getting burnt out on topics they care nothing about.

A part of me wants to experiment with this. What would happen if students were allowed to pick a sequence part of the way through the course, and were given the agency to pursue their interests? Would that result in stronger papers and more engaged students? Or would it just result in a scattered, unfocused class?

 Posted by at 12:14 am
Dec 072015
 

In my previous praxis post, I talked about an unsuccessful attempt I made at implementing The “Three Perspectives Guide for Writing” (The Expander) into my ENC 1101 classes. Here I’d like to go into some detail about what I attempted, what happened, and what I think I could improve upon next semester.

I was already struggling with how to get my students to write original and compelling thesis statements when Dr. Mason provided us with The Expander during one of our meetings of ENC 6700. At the time, it seemed like the perfect cure for my ailing classes: a workable heuristic that encouraged expansive thinking and made the brainstorming process more directed and comprehensive.

I introduced the Expander as a mandatory part of the writing process for my students, a worksheet that was due along with their Reading Responses for every paper. The first time I brought it out in class, there were no questions and no complaints; however, what I got back from the students was a hodge-podge of generally misguided attempts. Many of the students believed that the Expander was a tool to help them make sense of the articles they were reading, and so their ability to brainstorm was severely hampered by the topics discussed in the articles. For example, in the first Expander, one of my students listed an article by Matt Richtel as her “topic,” rather than her paper topic. As a result, when she got to the cultural assumptions portion of the Expander, she was unable to brainstorm beyond the assumptions she was able to identify in the article itself.

For many of my students it was very unclear what they were supposed to be doing and why this worksheet would help. I wish I could say that after the first failure I willing threw the heuristic away, but I continued on through two more essays before I finally understood that it simply was not going to work in this context and for this class. By the end, I do think they had a better understanding of what the heuristic was, but they were uninterested in using it in the way I intended. Instead, a few expressed confusion that I was asking them to NOT use the articles, as they actually found the exercise helpful.

One thing I learned, then, was that many of my students were still struggling with feeling like they had a handle on our readings. Next semester, I plan to put a bigger emphasis on understanding and analyzing our readings. Another thing I learned from this experience is that I will need to introduce the Expander from the very beginning (I found this out with the Error Tracking Log as well) if I want it to have any real impact on how the class composes. Finally, I learned that heuristics should be treated more adaptively. I said in my last blog post that I wanted my students to learn to be more adaptable this semester, but I also needed to learn adaptability. Instead of forcing resources on my students, in the future I will make the boundaries and limits of my resources clear. Hopefully, the students will then be able to better understand the heuristics’ purposes and further be able to contextualize their choice to use them.

 Posted by at 6:55 pm
Dec 072015
 

This semester, I found myself going back and forth between formulas and heuristics. At times, it seemed that what my students wanted most was something concrete to grasp onto, something that they could call upon again and again to get the results they desired. For instance, my one class was very concerned with Works Cited listings because of how definitive they are: this goes here, that goes there, add a period and you’re good to go! In many ways, I felt that they were trying very hard to replicate the more current-traditional learning they encountered in high school. It seemed to be very difficult for many of them to gain a level of comfort with being asked to think a different way.

Because of this general class feeling of wanting definitive answers, I often provided my classes with writing resources in order to help them feel like they had a handle on their composition. I even provided an Outline Template, and with my one course discussed the Super Secret Formula (with very mixed results). The most successful students were the ones who found some aspect of the resources lacking and so improvised in their writing. The least successful ones were, unsurprisingly, those who adhered to the resources’ instructions as closely as possible.

A little before halfway through the semester, I introduced the “Three Perspectives Guide for Pre-Writing,” or “Expander” heuristic that Dr. Mason provided us with in ENC 6700. I thought that this would turn the tide in my courses and that my students would begin thinking “outside the box.” I believed that their writing would take on new life. However, I soon realized that not only was the  heuristic generally misunderstood by the class, but even once that confusion was cleared up the students found it to be little more than exhaustive busy-work.

In my final blog post, I will talk in more detail about my experiences with using the Expander, but here I want to summarize my semester-long struggle with figuring out what works better for helping composition students learn. I believe that next semester I will work harder to introduce resources and heuristics from the very beginning, in an effort to make it clear to the students that what works for one person might not work for another. Ultimately, where I feel my teaching needs the most improvement is in the area of helping students to understand what they are doing and why. This lack on my part made it hard to implement heuristics or more formulaic resources effectively, because the students were unable to see the possible benefits of taking the time to utilize something that might not work every time. I often stressed that I wanted students to learn to be more adaptable, but for many I think this seemed like a dismissive cop-out.

 

 Posted by at 6:34 pm
Dec 062015
 

After our first class meeting, a student approached me and told me she was taking ENC 1101 for the 3rd time. She had freckles and round cheeks and the most melt-your-heart brown eyes I’ve ever seen in a student. As we talked, her eyes filled up with tears and she looked at the floor and said, “Never mind,” and abruptly left the classroom.

That evening, I checked out my roster and saw that she wants to be an elementary school teacher. I sent her a quick message.

“You seemed discouraged when you left class this morning, and I hate to think that you are feeling defeated before we even get started. You are not alone. Several of my students are taking ENC 1101 for the second or even third time. It is a challenging class and you should look at that as a good thing if you can. Very few worthwhile things come easily.
By now you should have some idea of which areas of your writing need work/help. When you turn in your writing sample to me, please make a note at the end of what you need help with and I’ll try to think of a way to make it easier to understand. What kind of feedback have your other instructors given you?
I see that your major is Elementary Education. I have been a teacher for a long time, and I have learned that some of the very, very best teachers are the ones who struggled and persevered. You are going to be a wonderful teacher. Hang in there.”
I wanted her to start to take ownership of her learning, but every time she and I spoke, she shot down every suggestion I had with a flat, “That won’t work.” When I asked, “OK, what will work, then?” she’d just say, “I don’t know!” She wouldn’t even try.
By the time essay three was due, she was sending me messages that said, “We both know that I’m not going to have a draft for peer review. So what can I do instead?” When I told her that the peer review process was a required and helpful component of the class, she stopped coming to class on peer review day. Then she stopped turning in her essays altogether. When November 13 approached, I thought for sure that she would drop the class, but she attended right up to the last day.
This afternoon I was sifting through my students’ Final Reflection assignments. This is what she turned in, in its entirety.
Part One
I have learned nothing that I didn’t already know. Everything that was taught in this class
was taught in high school. And the first two times I took this class. Nothing has changed. I still
make the same mistakes I made in high school and because I learned nothing new it’s not going
to change.
Part Two
There are no skills that I learned that I didn’t already know. And the skills I know aren’t
going to be helpful in the future.
Over the course of the semester I communicated with this student privately — via face-to-face conference, email, Starfish, and through the OSD — no fewer than a dozen times. I couldn’t overcome her defeatist attitude. She is the only student who earned an F.
I can say with a clear conscience that I did my very best with this student. I have no misgivings about documenting her non-passing grade. Sometimes it’s OK to throw in the towel.
 Posted by at 5:45 pm
Dec 062015
 

I have been out of the advertising profession for five years now and yet that was where my writing process began and I cannot seem to shake off the habits and methods I learned then. Mind-mapping or the version of what I did was and is still a useful tool in my writing process. I shared the same with my class to great effect. It worked brilliantly as a thesis writing exercise. I had students write down one word that they would use to describe the article and then connecting words which ultimately led to that ‘light-bulb’ moment and the point where they could begin formulating their thesis.

Another exercise that worked to help students recognize tone and formal/informal voice was a letter writing exercise that I did in my high school. I told them the story of “The Lady and the Tiger.” And I asked my students to write a letter to the princess as the lady behind the door, commenting on her decision which is unknown. Students responded very well to this exercise and wanted a similar one so I asked them to write a letter from the princess to the lady behind the door. Both versions threw up funny, intense, and sometimes downright dark results but it showed them the ways in which a point can be tied up or a story finished. They were perceptive about language usage and many, when writing from the perspective of the commoner, used colloquial terms than when they wrote from the princess’s perspective.

 Posted by at 5:24 pm
Dec 042015
 

As most of you are aware (because I’ve been talking about it half of the semester) one of my classes thought it was a brilliant idea to tattoo people who are HIV positive. This idea came from one of my students in the Epstein essay discussion class. Very quickly, it was picked up by the majority of the class. The driving force behind this thought was that people will ALWAYS lie about their STD status so it is better to have a little plus sign tattooed on their bikini lines so people are aware that they are about to have sex with an HIV positive person.

I experienced a precious few seconds of brain fart. I couldn’t believe what I was hearing. I did manage to speak after a 10-15 second pause where I am pretty sure I resembled a goldfish. I spoke about the history of tattooing a specific section of society (Nazi shitheads) but to no avail. My students were quick to disavow any similarity of their idea to that one.

I faced another hurdle when we read Dan Savage and Urvashi Vaid. The topic of bullying and the same class said that the issues were grossly exaggerated because they had never seen any bullying in their schools.

I turned to the LGBTQA resource centre for help and I had someone come in and talk to my students about stereotypes and the dangers of relying on a single stereotype. She also discussed empathy vs sympathy and used this video. It’s a good video.

But, the big question: where do I separate my ideologies from my students’? We want them to express their opinions but am I not deliberately changing their opinion here? Is it okay? I mean, I know it is okay because they need to know the whole picture about their idea but is it okay from a pedagogical perspective? Am I making sense?

 Posted by at 4:00 pm
Dec 012015
 

This article was posted by on Facebook by Brian Spears, who noted, “This is why first year writing reads like first year writing.” Encouraging students to vary their word usage seems to be a contentions issue. It is my (admittedly very limited) experience that it is the overuse of these “dead words” that defines freshman writing, not the overuse of a thesaurus. At the level of ENC 1101, I feel that students should be encouraged to experiment with vocabulary, and they should also be taught the pitfalls of randomly selecting synonyms. The two are not exclusive pedagogical aims.

http://www.wsj.com/articles/use-more-expressive-words-teachers-bark-beseech-implore-1448835350

 Posted by at 2:59 pm
Nov 232015
 

On several Fridays this semester I asked my students to spend 10 minutes freewriting at the beginning of the class. Sometimes I gave them topics that were loosely related to the main ideas of their essay prompts. Other times I asked them to “vent” and tell me what they were thinking and feeling. I wanted to know what they were angry or worried or happy about. The ground rules were that their pens and pencils must move the entire time and that they couldn’t edit themselves no matter how atrocious their spelling or grammar was.

My intentions were two-fold. I wanted to show hesitant writers that words DO come, and I wanted them to understand that words are not a precious commodity to be meted out in fully-formed, perfect sentences. Words are plentiful, and shouldn’t be rationed.

After 10 minutes I asked them to finish their immediate thoughts and then we talked a little bit about what they’d discovered as they wrote. Sometimes they had tiny epiphanies. Sometimes they started out, “This is stupid and I am tired, but my teacher said I had to do this, so I am doing it.” Generally, though, asking them to freewrite enabled them to find what Peter Elbow calls the “center of gravity” in their writing and they were able to begin to scaffold their final papers around their unedited thoughts.

Allowing students the chance to be expressive in their writing and then giving them a platform to speak their ideas is of immeasurable importance as teachers build class rapport and “safe” learning environments.

 Posted by at 1:42 pm
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