Oct 022015
 

Elbow discusses the issues we face when we have to decide whether to come down hard on a student or nurture and encourage them. He notes how our loyalty to students is to “be their allies and hosts as we instruct and share–to invite students to enter in and join us as members of a learning community…” My struggle with this point is that, while this works for so many, I still have students who do not want to become part of the learning community. As I try to encourage a sharing environment, some remain silent and unimpressed with the ideas presented to them. I had one student email me, telling me that we should focus on social issues affecting our world. This is a student who makes little to no attempt to engage in class, and who is doing everything in his power to avoid writing a complete paper.

What do we do then? How do we handle students who don’t accept our invitation to be working on the same team?

Oct 012015
 

Anyone else envious of Murray?

In his article “The Listening Eye: Reflections on the Writing Conference,” Murray reflects that each year he teaches less and less, yet, his student seem to learn more and more.

His teaching strategies within (and outside) the classroom remind me of the practices we adopt at the UCEW. He notes: “I am critical and I certainly can be directive but I listen before I speak.” Like Murray, writing center consultants are taught to be attentive listeners, allowing the client to find their own voice, rather than offering up our own words. This way, they become writers that are more self-sufficient. Murray also lists the questions he asks his students when they come in to see him, labeling them as the “right” questions. They are thoughtful, probing questions that allow the student to draw forth what they really want to say (instead of what they think the teacher wants to hear). For students who come in to the UCEW quiet and reserved, consultants ask these kinds of questions to get at the heart of what the student thinks and wants to write about.

Murray puts it nicely when he notes “They follow language where it will lead them, and I follow them following language.” In an ideal world, I would follow my students’ language, taking the position of peer rather than apprentice. But as Murray notes, his style of teaching requires a certain climate, and that climate is not possible with our FYC course.

I can only parallel Murray’s teaching strategies as a consultant at the UCEW. This is probably (most likely) the reason I enjoy working there more than my time in the classroom.

I am envious of Murray.

But, then again, he does average seventy-five conferences a week.

So maybe my shade of green is not so dark.

Sep 252015
 

So I’ve read a little bit from Peter Elbow before and I’m often torn about his ideas. The big issue I have with this particular article is the assumption that having each reader/teacher interpret grades differently is a fault of the reader/teacher as opposed to the inability of the student to write for a particular audience.

When we teach aloud (in my opinion) we should give our students an understanding of who we are: our attitudes toward certain subjects/topics; our personality type; our history with writing; etc. I would argue that an extremely important take-away for young writers is how to write to a specific audience. IF they are writing to me, they should be aware of who I am.

This is why I believe in an extremely important bridge between in-class discussions and commenting on papers. If we depersonalize the audience, we depersonalize the writer. By keeping those two things very specific, we can help mold the writer’s ability to write toward specific audiences.

Elbow (as well as some of the other authors we’ve read for today) think that a variety of grading philosophies is somehow a detriment to the student. I think that it CAN be a detriment, but we have the power to utilize that as an opportunity for teaching how to write toward a specific audience.

Sep 252015
 

In Sommer’s essay on paper comments, she detailed the problems teachers have faced when commenting on papers. She highlighted the issues with brief comments (they can be discouraging to students) and very directive comments (the student spends the revision process focusing on what to write for the teacher instead of what to write to improve their argument).

Her conclusion is that we need to focus on different aspects of writing in the different drafts we are given. If we throw dozens of ideas at the student on both a global and sentence level, then they get lost in the revision.

My problem with this is twofold: 1. We’re not supposed to be commenting on drafts. I want to be able to spend that time moving from one style of writing to another, but I don’t know how to build that revision process when the students are meant to rely on the peer revision process. As much as peer revision can be guided by the teacher, it is still out of our hands when it comes down to the act itself. Then, 2., the problem with brief comments. We are told that we can’t overwhelm the students with comments or they will lose focus, but we can’t be brief because it will come off as harsh or apathetic. I wonder how universal that reception is, or if that idea is focused mainly on certain student personalities. Maybe a certain student with a type A personality will respond better to brief, directive comments, while the free-thinking student may need more encouragement.

In the end, I still don’t have an answer and I’m still trying to figure out what is most effective for students.

Sep 232015
 

I was a huge fan of the Sommers’ reading.  Check this out:

“The challenge we face as teachers is to develop comments which will pro-vide an inherent reason for students to revise; it is a sense of revision as discovery, as a repeated process of beginning again, as starting out new, that our students have not learned. We need to show our students how to seek, in the possibility of revision, the dissonances of discovery-to show them through our comments why new choices would positively change their texts, and thus to show them the potential for development implicit in their own writing.”

This gave me nerd chills: commenting can be helpful to students provided the comments are actually phrased in a constructive manner.

The least helpful form of commenting is when professors say vague, ambiguous negativity.  When I was in school most of my professors would say random negative things, “This doesn’t make sense,” “I don’t like this,” and “Sentence Fragment.”  Not only does this form of commenting leave the student feeling hurt, but also it gives them no idea how they can make it better.  Obviously the student would have made it better if they knew how, but with this form of commenting it’s like the teacher is standing on top of their grave and yelling at them not to be dead.

This is why I’ve tried to make my commenting in ENC1101 more suggestive based.  For example, when I start a paper off, if the student uses vague language, I’ll try to give a suggestion for how they could be more specific with their language.  “In your introductory paragraph, you need to be more specific about the word ‘problems.’  Economic?  Social?  Pyschological?  Narrow it down.”  Then later on when I say things like “vague language,” I tell the student to refer back to the example I showed them in their introductory paragraph.  Utilizing this method of constructive specificity with my commenting, I’ve had a positive reaction from students.

In my morning class, I have two students who are already doing better.  One of the students got a “D” on his first paper because he fudged his margins and used vague, generic language in order to convey the idea of saying profound things without actually saying anything at all.  In his paper I told him so with my comments.  His second essay has all of the commented areas fixed as well as improvements to other areas.  His grade for this 2nd paper is a “B.”

Comments can be helpful, but they need to be written in a way that the student can understand and make use of.  Further, commenting isn’t enough; students also need to feel like their teacher is a real person, and not just some vague authoritarian abstraction hovering over their shoulder, screaming every time they use the passive voice or make a comma splice.  Personal relationships create a sense of trust with students so that when they read teacher comments, they know and want to pay attention.  The more I do this teaching business, the more I’m realizing that it’s all about respect.

 Posted by at 6:36 pm
Sep 232015
 

Bloom’s jam issues are, as he indicates, rooted in the multitude of ingredients available—the many focuses for grading criteria. Ultimately, the grader wants to send home something reflective of the work’s objective completeness, or as close to objective as Bloom’s “disparate components” can manage. By following those critical focuses, applying them in equal portions,   an objective grade can be arguable reached, but what use is objectivity in an art form that, at times, relies on subjective interpretation (if not directly on the paper, at least in opinion formation). Blooms concern about broccoli and baloney finding the jam encapsulate this dilemma: how much is too much? The red pen needs sleep too.

The solution is to send each student home with their own kind of jam. Every paper has its strengths and weaknesses, and those majorly affected ingredients should be the focus of grading criteria: praise for plump blueberries but reprimand for buying the brown sugar instead of refined white. Addressing the whole list of malfeasant ingredients isn’t practical or constructive, as the line between constructive criticism and “you’re terrible at this” to a student can be as slight as relentless semi-colon correction.

Sep 162015
 

I loved our reading last week on the banking theory of education.  South Korea has the ultimate CHASE bank monopoly in their form of education.  Corporal punishment was still widely practiced during my tenure at two different high schools in Daejeon.  Teachers literally beat their students with 2×4 wooden boards that had holes drilled into them.  One time I was lecturing in the middle of the day–regular, routine day, just like any other.  A male student began talking to his neighbor and sorta tickling him in his sides.  My co-teacher pulled this student out of my class without saying anything.  Ten minutes later he and the student came back in the classroom and took their seats.  My co-teacher’s face was bright red and he was breathing heavily.  The student’s face was also bright red, not breathing heavily, and he was crying.  I also noticed that the teacher had broken the 2×4 that he had used to beat this students backside.  His name was Park Tae Won and he held these broken boards in his hands with a perfectly complacent expression and listened to me finish my lecture.  Later, after class was over, he came up to me and explained that he had beaten the student “like a man” because he had been messing around in the previous class too.

The whole experience was so surreal.  I didn’t say anything in disagreement–I had to work with him on a daily basis and this wasn’t my country or culture–but my immediate reaction was to think, “how is beating a student’s backside with a board” manly?  Then I thought that if he had really wanted to “beat the student like a man” he should have given the student a board so that they were both equally armed.

It wasn’t just men that got beat there either.  Girls got beaten, though not with 2×4’s, not on their backsides, and I don’t recall ever seeing a male teacher beating a female student.  It was strictly female teachers beating female students.  The teachers used cylindrical rods about the size of a forearm in length and a finger in girth.  The girls would kneel on top of a chair with their feet tilted up toward the ceiling, and the teachers would beat the bottoms of their feet.  Or, if not their feet, the teachers would have the girls hold their hands out, palms up, and beat the interior of their hands.

Students were beaten for all manner of misbehavior, but the most common was for tardiness.  Every day I went to school, I’d walk past a line of students in the parking lot waiting to go to the gymnasium where they would be beaten and then dismissed to first period class.  It was always the same students, always the same infractions.  Other reasons beating the students included: not having the right uniform, talking, not doing homework, being disrespectful to a teacher, and getting into fights with other students.

The most unfair reason for getting a beating was not having the proper uniform.  Both of the high schools I taught at were in low-income areas of a mid-size city.  Many had single parent homes and did not have much money for food, let alone the proper uniform.  So they got beat.  As I passed these students in the mornings, eager to get there a bit early and down a cup of coffee before first period, I’d think to myself, “What sense does it make to keep beating a student when they will never have the money to buy the proper uniform?”

Tradition and conformity are strong in South Korea, sometimes for the good, sometimes not.

 Posted by at 6:47 pm
Sep 162015
 

Prewriting is everything that takes place before the first draft.

Prewriting usually takes about 85 percent of the writer’s time…

Pre-writing may include research and daydreaming, note-making and

outlining, title-writing and lead-writing.

(From Murray’s “Teaching Writing as a Process Not Product”, pp. 2-3)

I am impressed and surprised to find these words in Murray’s article. This is often my biggest beef with writing instructors; I have rarely encountered any instructor who taught this concept to his/her students. So often the focus is on the act of writing–the act of typing words into the big blank white square of Microsoft Word. So often I’ve heard teachers say things like, “Start writing your introduction… just get your ideas on the page.” Or, “As you write, your ideas will come to the surface.” And on the listening end, students who are already hellbent on meeting the required page length start typing and writing hysterically, without ANY IDEA of what they want to say. Et voila! Le terrible paper.

As instructors we are so often focused on the 15 percent — the writing and the rewriting. “This is how to avoid a comma splice”; “You didn’t write in MLA format”; “Go back and make these edits”; “Work on your rough draft and we’ll go from there”.

When was the last time we spent even a full CLASS period, let alone Murray’s proportional “85 percent” of our instructional time, teaching our students how to “research and daydream…”, make notes, outline, brainstorm titles or leads?

I find this whole 85/15 thing a critical element in the current debate about what we should have students write about: readings they don’t care about, or personal passion areas? The reality is the latter topics are often producing better writing in part because the students don’t need the pre-writing phase (or at least to the same extent they do for the former). I.e., you don’t need to research and daydream and brainstorm about the benefits of deep sea fishing if you naturally take an interest in it–you’ve been organically “pre-writing” in your personal life long before you entered the classroom.

I could go on about this because I think the 85/15 thing is fascinating, but consider… If pre-writing is this important (and I think it is), how do we teach it? How do we drastically alter our pedagogy and our content to address the pre-writing phase? One might also argue that if instructors are largely unconcerned with teaching pre-writing, as they seem to be, what’s stopping us from moving into this heavier focus on personal interest areas in our writing courses?

 

Sep 152015
 

There is no singular way to teach writing because there isn’t an objective correctness to writing itself. Instead of memorizing a bank of information, we ask students to look inside themselves and write. To a new writer, or an experienced writer who has recently developed enhanced self-awareness, this is terrifying. Without a set of objective guidelines and a lens for self-editing, it’s hard to know what’s working. Students want some set of rules to hold onto, some box to check to say they’re doing OK. They don’t realize that writing is a creative process, with as many successful strategies as there are writers.

Teaching product may be a strategy for giving that sense of security. Similar to the scientific process of hypothesizing, testing and evaluating, we also teach our writing students a formula – read, discuss, analyze, pre-write, draft, revise, rewrite – with checks and criticisms at each stage. But these checks can have a limiting effect. Writing is already an intensely vulnerable activity, and critiques after a piece is done “does little more than confirm their lack of self-respect for their work and for themselves …” according to Murray’s “Teaching Writing as a Process Not Product.” The concept of teaching process is intimidating to both student and teacher in its vagueries, but breaking out of these confining routines may be more fruitful.

Sep 132015
 

http://www.nytimes.com/2015/09/13/opinion/sunday/are-college-lectures-unfair.html?action=click&pgtype=Homepage&module=opinion-c-col-left-region&region=opinion-c-col-left-region&WT.nav=opinion-c-col-left-region&_r=0

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