Sep 022015
 

Last class we talked extensively about the different camps of rhetcomp studies, and the two camps that interested me the most were the Fishian structuralists vs. The Sociological Historicists.  Or, to simplify these terms even more, People Who Think We  Should  Teach Only Fundamentals of English and Everyone  Else Who Thinks English Should be Taught as Part and Parcel to a Grander Sociological Examination.

The aspect of this conversation that I found most intriguing was how antagonistic the two camps felt toward one another.  Fish is especially critical of the Historicists because he seems to think that the sociological aspects of this camp are trumping their primary responsiblity of rhetcomp studies, which is to teach students how to write.  Meanwhile, the Historicists are (perhaps understandably) perturbed by Fish’s condescending, holier-than-though tone.  After all, situating English instruction within a grander sociological framework can be a useful tool for persuading the interest of students within that sociological framework.

From my point of view, neither of these two schools of thought has a corner on the market.  The helpfulness of both camps depends on both the skillset of the teacher as well as the interest level of the students.  Some teachers more versed in a grander sociological background will, no doubt, be better at tailoring their lesson plans around this skillset.  Meanwhile, teachers like myself who are weaker in Grand Historical Backgrounds and more interested/versed in the fundamentals of English, can use the Fishian approach to teaching English with greater degrees of success.

However,these are not mutually exclusive paradigms for approaching the instruction of English.  I can foresee  myself using both skillsets depending on the day.  Teachers would be wise to mix and match from all of the different schools of Rhetcomp; intellectual promiscuity is the road to a more satisfying and unifying intellectual discourse and will certainly result in the highest utilization of the broadest level of skillsets for both the teacher and the students.

 Posted by at 2:22 pm
Sep 022015
 

Freire’s “Banking” concept of education is intriguing, but in the end seems oversimplified and contradictory. By classifying students as nothing more than “receptacles” in the “banking education” paradigm, Freire implies that students have no power in classroom exchange; in other words, the teacher controls the fate of the student—whether they learn or don’t learn. While Freire acknowledges that the students do have control over how they catalogue and inventory the knowledge that they collect, he implies that the teacher is the one with the power to, in this banking situation, withhold “creativity, transformation, and knowledge” (1).

In his attempt to argue for the rights of students as “truly human”, he presents them as helpless victims vulnerable to the instructor and his/her pedagogy. The reality, I think, is more complex. At some level, the teacher does hold more knowledge and power than the student, and can better identify what the students need to learn. Students don’t know what they don’t know. While I do feel there is room for instructors to bring more student-centric teaching into the classroom through things like expressive writing, to which Hairston briefly nods, the goal is ultimately to get the students engaged enough to listen to what the instructor has to say—to create wise and empathetic “depositers” (instructors) and engaged and critical receptacles (students). The relationship isn’t inherently bad.

And, at the end of the day, the onus falls on the student along with the teacher. Becoming a “truly human” student has a lot to do with recognizing that all the information you receive shouldn’t automatically become something you go on to deposit to someone else; the truly human student can humble him/herself to receive information, critically engage with that material, and confidently go on to counter it, or agree with it, and perhaps pass it on. No amount of a teacher’s insistence or orchestration can guarantee truly human students–that again gives the teacher all the power. Students have a responsibility to develop the ability to analyze, to disagree, to ask questions, and to push for more, rather than just receive apathetically.

Sep 022015
 

Perhaps composition is in a paradigm shift. Personally, I’m basing the frameworks of my teaching philosophy on how I was taught composition. I don’t have any other model. As Hairston says in “The Winds of Change: Thomas Kuhn and the Revolution in Teaching Writing,” we teach “systematically from prewriting to writing to rewriting.” We teach that each paragraph should be able to be neatly summarized in a topic sentence, and we teach editing as writing. But staying within a standard mode of teaching because it’s comfortable and familiar may not be a strong defense.

Hairston cites an increase in nontraditional students as the cause for this paradigm shift to process-based learning. It’s clear that the needs of college students are changing. Many are older, many have jobs or families, many are first-generation college students, and many don’t speak English as their first language. A Bachelor’s degree is becoming the baseline requirement for a large majority of careers, encouraging a new kind of student population with different needs.

The text’s encouragement to “intervene during the act of writing if we want to affect its outcome,” and focus on process is well taken. It makes sense to focus on the sources of problems instead of proscribing fixes. Encouraging process over product and writing to discover purpose would encourage student engagement and a movement to discussion and involvement. What does this look like in a classroom level? I’d like to be part of this paradigm shift, but I need a model.

Sep 012015
 

I found the piece by Paulo Freire quite interesting. I had never thought of teacher-student relationships as one that could be oppressive. According to Freire, there is a teaching method called banking education that is an oppressor (teacher)-oppressee (student) relationship. Under this system, creativity and free thinking are discouraged and by minimizing this thinking, the oppressors gain more power over the oppressed. Teachers gain from this by having their egos stroked, as they feel they are above the students, who “they consider to know nothing.” Furthermore, the teachers perpetuate this relationship, as they concentrate on “changing the consciousness of the oppressed, not the situation which oppresses them.”

Freire states that education should be a mutual learning relationship in which both sides learn from the other; I agree with this method of education. I feel as though I have the potential to learn from my students and teachers should be open to this. Dialogue and open communication is imperative and the relationship of “teacher-of-the-students and students-of-the-teacher [should] cease to exist.” The students should be taught by the teacher and the teacher should be taught by the students, making them “become jointly responsible for a process in which all grow.”

 Posted by at 8:43 pm
Sep 012015
 

I was reading through some of the Enculturation articles, and I couldn’t seem to get the Sharon Crowley idea out of my head that, “[The] history of close ties between rhetoric and composition ended in the late-nineteenth century… when ‘composition’ acquired a new meaning and a new praxis…  given it by the Arnoldian humanists who invented the first-year requirement…”

That’s giving a lot of power to one mid-nineteenth century critic and those who would choose to follow.  Or, in Crowley’s words, those who would “kill off the vestiges of rhetorical study that remained in American colleges at the time.”  Why is “kill off the vestiges of” her preferred word choice?  Why not “changed” or “overshadowed” the former methods of rhetorical study?  Why give your enemies the power to take down the classical rhetoricians?  And they are, clearly, her enemies.  But she isn’t a rhetorical purist, either, falling back on the work of Charles Sears Baldwin, a late nineteenth early twentieth century rhetorician, in lieu of the ancient Greek or Roman writers.

It seems as though she is less concerned with the general removal of rhetoric from composition, and more concerned with the resulting methodology.  Sounds like a legitimate concern to me, and by the end of her piece I can’t help but be on board, for the most part, with her argument, but I feel that there is still room for “intellectual sophistication” and rhetoric in my composition class.

Aug 282015
 

I guess the best place to begin introducing oneself is with a greeting, right?

Sooo, hello!

My name, for those of you whom I haven’t had the pleasure of meeting yet, is Dustin DiPaulo. Born and raised in Rochester, NY, I can probably be found drenched in sweat and a little out of place in Boca Raton. I’m an MFA person focused on creative nonfiction (although I enjoy writing fiction, poetry, and music as well). Musically speaking, I play the piano and guitar. I also find pleasure in singing–though I’m not so sure the same level of pleasure is derived by those who are subjected to hearing my voice. Therefore, I tend to keep it limited to pretty much the car and shower. (However: frequency of singing subject to change depending on level of BAC at a given time). That being said, care to grab a drink? Inquire within.

At the risk of redundancy, I love reading and writing. I’m currently trying to trudge, when I have time, through Thomas Pynchon’s Gravity’s Rainbow and my favorite living author is probably Steve Almond. Other hobbies include swimming, sleeping, and attending concerts (does that even count as a “Hobby”?). I also sincerely enjoy long walks on the beach. It’s a shame something so sublime should have become so cliche.

Well, that wasn’t quite as hard as I thought it would be. I look forward to getting into the groove of this class and coming to know you all beyond a few introductory paragraphs!

 

 

 

 Posted by at 3:47 pm
Aug 282015
 

So I’m not usually this tech illiterate, but when I visited our class page today I noticed that there were two separate “Kiras”. I made my introductory post under the OTHER Kira (the evil twin? likely) a few days ago. In an attempt to cover all of my bases, I will also post my introductory post under THIS Kira (clearly the good and superior Kira in every way).

Hi there. I’m Kira. I’m in the Comparative Studies doctoral program, and I received my MA & BA in English from Kutztown University in PA.

I love fantasy literature, and sci-fi. Currently I’m reading Nemesis Games, the fifth book in the Expanse series by James S.A. Corey, AND The Fire Rose by Mercedes Lackey, which I’m not enjoying as much as I thought I would. I’m also a gamer, mainly Dragon Age, but I also love many others as well (Prince of Persia, Batman: Arkham Asylum, Psychonauts). I love coffee, beer, and cats. I used to perform in community theatre (some plays, but mostly musicals). I can play the piano. I am pretty addicted to Tumblr. I’m already making plans to attend the Epcot Food & Wine Festival this year (one of the only things that keeps me going back to Disney). Research-wise, I’m fascinated by storytelling across mediums, so transmedia is a big focus of mine, as well as fantasy studies.

Nice to meet you!

 Posted by at 1:24 pm
Aug 282015
 

Haha, yeah. Not really. I am really bad at creating titles for posts. I’m also quite bad at introducing myself, as I’m not exactly certain how to do it effectively. Anyways, my name is Jason Benkly. I am a first year MA student. While the track I am on is Multicultural and World Literature, I plan on focusing on the connections between labor oppression and other forms of social oppression; exactly what other forms of social oppression I will focus on, I am still uncertain.

Besides my, sometimes unhealthy, love for reading, I also enjoy listening to live music (usually some sub-genre of punk, although I have recently fallen in love with 80’s protest folk, namely early-era Billy Bragg). Beyond that, I enjoy cheap wine, good company, interesting debate and discussion (be it focused on politics, social issues, world happenings, etc.), and hockey (I’m not very good at being a Floridian).

So, yeah. Again, not too effective at the whole “introducing myself” thing. Anyways, if you have any questions, feel free to ask me. I’m extremely socially awkward until I get comfortable (this will probably happen around the time I finish my Master’s thesis); however, if you get me talking, I have a tendency to not shut up.

 

Aug 272015
 

My name is Chris.  I am from Florida, and I am a man.
“Florida man goes to ridiculous lengths to prevent his car from being towed”
As such, I have accepted the stigma of my demographic.
“Florida man run over by Facebook lover who refused to let him drive grandmother’s truck”
I may not always embrace the associated epithets.
“Florida man has admitted his role in the trade of 59 illegally caught wild snakes, including a live rattler mailed to him in a coffee can”
And I don’t think Florida is for everyone.
“Florida man stabbed cat after it threw up, deputies say”
But I do feel a certain sense pride about my people.
“Florida man interrupts weather report by catching fish in street with bare hands”
Us Floridians.

Aug 262015
 

Hi! I hope I’m posting this in the right place.

I’m Samantha, I’m an MA student here at FAU, and I’m very nervous about everything. Currently, I’m anxiously wondering whether this is going to post with the introductions or if it is going to show up in everyone’s email with an urgent sticker that will wake you all up from your sweet slumbers, and you’ll think that something important has happened, like the hurricane decided to accelerate and hit TOMORROW or FAU decided to throw a free food and t-shirts party that you’ll miss if you don’t get to campus or something else equally as thrilling, and this will lead me to be forever remembered fondly as the bane of your existence.

Also, my favorite animal is the cheetah, and my favorite car is any Volkswagen with a turbo engine. I like things that move quickly.

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